"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

A police officer receives a worn-out and traumatised woman who begs him to take actions against a ruthless man that ruined her life, and only gives his moniker, Tín Mã Nàm, meaning “crazy horse” in Cantonese. As the officer sets out to search for Tín Mã Nàm, a network of intricate crimes, espionage and bloody murders beyond his imagination begins to unfold.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Life may find a way, but is it worth testing its fierceness and how far it will go?
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.