The Gloriously Unapologetic Queerness of The Sandman
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!

Newlywed and heartbroken, Zhen-zhen flees her home and her husband, Da-wei. He chases after her, but he can’t stop her tears. Zhen-zhen confesses that she feels unworthy of being a wife. Seeing her pain, Da-wei finally admits that in his student days, he was infatuated with an anonymous woman. Her rejection led him to escape reality by obsessing over erotic photos, struggling to find a balance between love and lust within their marriage. What he doesn’t know is that Zhen-zhen has a secret past of her own...
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.