EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The second film takes us on Peter's journey to be understood.