'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

As an orphan, Yamauchi Fumiko was taken in by the politician Kawabe Sotaro and raised by him. Perhaps because of their similar circumstances, she fell in love with Murakawa Sadao, a young man who had also been cared for by Kawabe after losing his father. Standing in the way of their romance is Kawabe’s only daughter Kyoko. She was in love with Murakawa, and Kawabe had even given his consent to their marriage. Through Kyoko’s scheming, Fumiko was forced into a blind date with Miyata, a senior executive at Murakawa’s company.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
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