
Il-ho, a satellite girl, wants to learn about human emotions, and crash lands on Earth. She transforms into a human girl and tries to help Kyung-chun after he is transformed into a milk cow.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.