A sorrowing mother, bereft of her infant, visits a foundling asylum and adopts a baby girl. The young window lavishes her love and care on the adopted infant and her environment is the finest. Father Time present the baby with an hour glass containing "The Sands of Time" which are all in the upper part of the glass.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Friendships are tested when two girls have a crush on the popular boy at school.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
Intergenerational friendships and community can be so powerful, and this was a great example.
