
Four depressed girls in a mountain hideout transform their misery into porn films. The arrival of two gonzo reporters threatens to upset the fragile balance of this feminist micro-utopia.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.