From Flags to Costumes—the Diversity in Harry Potter and the Goblet of Fire
Looking back at the representation of different cultures in the magical world of Harry Potter

Will Cole is a charismatic 35 year old paper mill laborer who seems to celebrate a life of bad choices. He lives and behaves as if he was still 18, womanizing and drinking and rejecting responsibility because he sees no reason to take life seriously. Surprisingly enough, despite his devil-may-care attitude, he has several important people in his life. He maintains a special relationship with Stan, an old mentor who lives in a nursing home, and Ruth, the only woman he truly cares about. Andrew is his best friend but grows tired of Will's antics, and he is soon to be married and moving on. Will constantly has something up his sleeve but his pranks inevitably bring pain and tragedy to those closest to him, forcing him to reevaluate his life and make some difficult decisions.
Looking back at the representation of different cultures in the magical world of Harry Potter
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
This romance movie has strong representation of Taiwanese people.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.