Avatar: Fire and Ash: A Female Led Marvel
An action film led by two queens, fighting for what they believe in through power and pain.

We stare at mirrors as if 'image' was a weapon of self-defense. At night, I hide in actors' dressing rooms for a working class experience. By day, I face an old theatre being razed to the ground, making way for a parking lot. Graffitis have curtains, the nose cap of an umbrella arises from a mount of sand. Oh, Happy Days! No need to stage anything! The bulldozer is a dinosaur whose teeth and gracious neck swings by a EU flag. In the boxes, we await the audience. Sometimes, nobody comes. Lost in a symbolic show of reality, I can only watch the world's end because all the endangered species perform and a reflecting labyrinth of life stories breaks through the glass of the Economic Eating Machine. Even when the sky is falling, theatre will always happen. So, choose the right place.
An action film led by two queens, fighting for what they believe in through power and pain.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.