Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Rocket Movie poster

The Rocket Movie (1988)

THE ROCKET MOVIE takes you back to that hot summer night when David Leslie attempted to launch himself over a mountain of watermelons on a Soho street before a crowd of 2,000 dazzled spectators. The story unfolds with the narration of veteran Hollywood stunt coordinator Gary Zeller (DAWN OF THE DEAD, RAGTIME, SCANNERS), who "put his reputation on the line" to collaborate with the Impact Addict. Filmmaker Larry Fessenden brings to this stunning documentary all the passion and drama of that spectacular night: As James Brown look-alike Jack Dingas pumps the crowd with an American anthem, our Rocket Man climbs aboard his bastard craft and bids farewell to the woman he loves—only to end that night in a near fatal fiery crash.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


THE ROCKET MOVIE takes you back to that hot summer night when David Leslie attempted to launch himself over a mountain of watermelons on a Soho street before a crowd of 2,000 dazzled spectators. The story unfolds with the narration of veteran Hollywood stunt coordinator Gary Zeller (DAWN OF THE DEAD, RAGTIME, SCANNERS), who "put his reputation on the line" to collaborate with the Impact Addict. Filmmaker Larry Fessenden brings to this stunning documentary all the passion and drama of that spectacular night: As James Brown look-alike Jack Dingas pumps the crowd with an American anthem, our Rocket Man climbs aboard his bastard craft and bids farewell to the woman he loves—only to end that night in a near fatal fiery crash.

Rating:
Genre:Documentary
Written By:
In Theaters:1/1/1988
Box Office:

Runtime:32 minutes
Studio:Glass Eye Pix

Articles You May Like


Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger