
The Rise and Fall of Estonia is a production by directors Tiit Ojasoo and Ene-Liis Semper. Together they have created large-scale shows already before. "Ruja", a rock-opera, and "Unified Estonia", a convention of a fictitious political movement for 7200 viewers, were not only completely sold out, but also theatre events, which won the major theatre prizes in Estonia. "The Rise and Fall of Estonia" is not a rock-opera. It's not a punk statement. It's a symphony. And it's about Estonia. Together with actors from NO99 they've created over the years four productions, which more or less deal with Estonia and its state of mind.
A summary of the films featured in this annual event taking place in Westchester.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.