Avatar: The Last Airbender Both Protests and Embodies Colonialism
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

The memories on the taste buds, are those of growing up, of life, of past recollection, of families. In a sultry morning, on the top floor of an old apartment building in downtown Taipei, where a private kitchen is about to open, the female owner Li Xin-Yue has gone missing, abandoning the male owner of the private kitchen, her boyfriend Ji Wei-Ran, along with the unorganized storefront. In the old town area of Tainan, the roof of the old family Li mansion gets hit by a gusty wind, blowing away a piece of tile and leaving a hole on the rooftop. The wind follows through the hole, blowing into the Li’s, launching an upcoming family storm. The three sons of the Li who live separately have all returned. As they debate about the repair work, the conflicts hidden among their relationships start to surface.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
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