Go and Tell Everyone About 'Candyman'
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

A successful city lawyer abandons his practice and heads out to the country. There he comes upon a stately, but neglected, homestead. He moves in, and during his first night a beautiful ghostly woman makes love to him, in his sleep. Soon his dreams become more engrossing than his everyday world and girlfriend. Gradually he unravels the tragedy of his spirit lovers' past. To respond to her call, he needs to embrace the hearafter.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.