“Terrace House”: The Kinder, Gentler Japanese Alternative to Reality TV
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.

In this 40-minutes-documentary the ecologist and filmmaker David Cebulla is on a quest to find one of Germany's shyest and most endangered species: the European wildcat. During a scientific pre-study, by chance, he made the first record of a wildcat in an area near his hometown Jena. Thereupon he dedicates a whole year to get the genetic evidence and a really splendid film recording of a free-living wildcat. For this reason he sets up trail cameras and lure sticks. To find out more about these animals he meets up with two interview partners in course of the film. The Thuringian wildcat expert Silvester Tamás answers questions regarding estimates on the stock of free-ranging wildcats and the protection of the species. Matthias Krüger is head-taxidermist at the Jena Phyletic Museum and explains what we can learn from wildcats found already dead.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Disney movies have taken a bit of a downward turn recently. How come?
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.