“Coyote vs. Acme” and People Power
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.

Little Nikita, the son of polar scientist Sergei Ivanov, runs away from home with the intention of reaching the Arctic, where he believes his father works. The boy manages to reach Leningrad, where he ends up at the Arctic Institute. Sergei is tasked with returning the runaway home, but Nikita stubbornly hides his origins and the purpose of his escape. Soon, his grandmother arrives, and Ivanov learns that Nikita is his son. He writes a letter to his ex-wife and convinces her of the need to return to him. The couple reconciles, and, preparing for another expedition, Sergei promises his wife and young son that he will return to the mainland on time.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
A short hybrid film featuring everyone's favorite Disney characters.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict