'Don't Look Up' Wasn't Much to Look Up to
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
The RedRoom
We open this tale with the sight of a bloodied, handsome well-to-do man, staggering around East London. We close the film enjoying the rare glimpse into the everyday backstage camaraderie of women who strip for a living. What lies between is a whodunit without the traditional victim or perpetrator. If there is a perpetrator, it is masculine entitlement fuelled by ridiculous ideas about female bodies. The only real victim of this film is the traditional easy trope of sensationalised violence against women and our persistent societal dishonesty about sex work.
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We open this tale with the sight of a bloodied, handsome well-to-do man, staggering around East London. We close the film enjoying the rare glimpse into the everyday backstage camaraderie of women who strip for a living. What lies between is a whodunit without the traditional victim or perpetrator. If there is a perpetrator, it is masculine entitlement fuelled by ridiculous ideas about female bodies. The only real victim of this film is the traditional easy trope of sensationalised violence against women and our persistent societal dishonesty about sex work.
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