Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Three friends decide to play The Red Book game. What they don't know is that in the house evil is waiting to be released. A long time ago a witch died as part of a satanic ritual. Every question they ask, they get closer and closer to her. The book will reveal the answers to all your questions… but what if your host is an evil entity with a thirst for blood?
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.