"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

In a Roman high school, a jaded art professor who lost the spark for the job clashes with an ex pupil of his, an adjunct literature teacher who is trying to rescue an eccentric and rebellious student, while the stern headmistress deals with a student from a difficult background.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Personalities clash and tempers fume in a family-run Chicago restaurant