Dug is the Real Hero of Disney/Pixar’s “Up”
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
The Rebels
A hundred of Sweden's most radical leftists formed secret Maoist cells in Uppsala and Stockholm in 1968. They called themselves the Rebels. They began to retrain/reform individuals and families to lead Sweden into the Culture revolution. No revolution ever happened, still the rebels managed to shake up both themselves and the entire left movement to a degree that history repressed their existence for almost forty years.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A hundred of Sweden's most radical leftists formed secret Maoist cells in Uppsala and Stockholm in 1968. They called themselves the Rebels. They began to retrain/reform individuals and families to lead Sweden into the Culture revolution. No revolution ever happened, still the rebels managed to shake up both themselves and the entire left movement to a degree that history repressed their existence for almost forty years.
Rating:
Genre:Documentary
Written By:Bosse Lindquist
In Theaters:
Box Office:
Runtime:60 minutes
Studio:SVT Dokumentär
Articles You May Like
The Discreet Insensitivity of ‘Slumberland’
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
NiuNiu - Film Fest Review
The film is a powerful narrative encompassing a theme that many people can identify with.
Mixed-Race Passing: An Actress's Life Mirrored in "Imitation of Life"
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.