Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Ruiz on the film: "I began La présence réelle (The Real Presence) first. I. N. A. had commissioned me to produce a personal vision of the Festival d'Avignon. This became a fiction about the theater because if I had filmed the actual performances at Avignon I would have had to respect their staging, I would not be able to change anything. As such, I wouldn't be doing anything more than a retransmission of Antenne 2 or FR3. And since a lot would have to be paid for rights to each play, it would end up costing as much as a fiction feature. So it is a story about the theater, a bit Rivette-ish. I shot all the exteriors in Avignon, the interiors in Paris a few days later and I finish the film next Tuesday."
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
Given a choice between a man and a mountain, it’s safer to choose the mountain.