Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Justo has just rented a flat to live in with his granddaughter Lola, a girl with cerebral palsy, whom he has been caring for for years. But at the entrance to the building there is a large staircase that forces Justo to carry Lola in his arms so that she can take the bus that takes her to school, causing a huge traffic jam and a lot of noise every day. In addition, his age and ailments make his task more difficult every day. The best solution would be to install a ramp. So he decides to go to a meeting of his neighbourhood association to ask for one to be installed.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.