What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Police Officer Billy Rains and his partner Darren Steel are finishing their last shift together, after which Rains intends to leave for retirement in Mexico. Everything changes, however, when the pair respond to a simple call that turns deadly, leading them on a high-speed chase throughout the city and killing Rains. Paired with a new partner, Smith, Steel goes on a quest to bring justice to his murdered partner and the city.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.