Women can have it all! Right?! A review of HBOMax’s “Expecting Amy”
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.

This is a psychological whodunit. The action is tense and there are many ups and downs. Vas, a young militiaman, has to pose as a ex-prisoner and infiltrate an international gang of smugglers at work in Bulgaria. Vas is involved in shady deals: in a web for smuggling drugs. The traffic in drugs is perfectly organized, every one along the chain is being checked up and shadowed. An elderly gentlemen, a harmless nuisance on the face of it, turns out to be one of the bosses. Vas's role as a double agent, in doing his efforts to become a trusted man among the dangerous criminals, faces him with many trials and he risks his life on several occasions. And no matter how strange it may appear, it is among these people that Vas meets the girl he falls in love with. A beautiful girl is tangled in the traffic web. She also falls in love with Vas. Just like the audience, the girl Sunny is not aware of the true personality of Vas in the racket.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.