Shudder’s 'Cursed Films' (Review)
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

In the small community of Åmotfors in Värmland, Olof lives a quiet life as a beekeeper after losing his partner many years ago. All that remains is his teenage daughter Lise, who increasingly seeks to escape the confines of home. Olof struggles to reach her, and grief has long lain buried in silence—until he suddenly falls ill and is forced to confront all that has remained unspoken. With great sensitivity, Marcus Carlsson portrays the different stages of life and reminds us how the fragility between people can hold both pain and light.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Everyone needs a BFF and a "wing person" like Yumi (Chloris Li). Li brings the "straight person" persona, literally and figuratively balancing James Aaron Oh's perfectly timed comedic delivery as the unlucky-in-love.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.