Avatar: Fire and Ash: A Female Led Marvel
An action film led by two queens, fighting for what they believe in through power and pain.

Kataoka Chiezo stars as Murasaki Zukin, a mysterious hero of the people who helps those in need. Now under the rule of the evil Tanuma, the people look to Murasaki Zukin more than ever, to confront and punish those who bring misfortune upon the commoners. Will he be able to bring peace to the land? One of the greatest actors from Toei Studios, known mainly for his swashbuckling roles as powerful swordsmen such as Ryunosuke in SOULS IN THE MOONLIGHT, he appeared in 325 films both before and after the war, beginning with CHUSHINGURA in 1928, and including KUNISADA CHUJI in 1933, and DOKUGANRYO MASAMUNE. While best known for his swordplay, Chiezo really did not enjoy the action, but was able to use his menacing presence to stare down his adversaries. Although Kataoka Chiezo passed away in 1983 at the age of 79, he still has many fans today. This film shows him at his best.
An action film led by two queens, fighting for what they believe in through power and pain.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.