Jeanne Baldwin, Leonard Staunton, Alan Fitzhugh and Jack Baldwin are guided on a tour of underground dens in Chinatown by Hop Lee. During their trip, Wang Foo abducts Jeanne, and she and her companions are rescued through the intervention of private detective Frank Condon. Three months later, Fitzhugh is missing, supposedly murdered by the Chinese. Jack Baldwin is threatened, poisoned and his body disappears. Next, a threat against Jeanne is received by Staunton. To save her life, he is to meet the blackmailers at a bay in the harbor. Enlisting the aid of a submarine, Staunton captures the three conspirators, who turn out to be the missing victims in the case, led by Condon. The three had planned the escapade to extort money from Staunton. The mystery thus resolved, Staunton and Jeanne are married. A lost film.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
'Selena: The Series' loses sight of the story's heart: Selena herself.
It’s dark, uncomfortable, and there are things that don’t make sense.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
