EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Robot QT-1, aboard an orbiting space station, controls the massive energy beam which transmits the sun's power to receivers on Earth. But QT-1 (Cutie) has some strange bees in his positronic bonnet. How could weak creatures of protoplasm create a nearly invincible, totally logical entity like himself? It is up to his human supervisors, Powell and Donovan, to convince Cutie of his niche in creation before his new robot theology becomes a threat to all life on Earth.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.