Yu Harukaze, who works at a riding club in Kujukuri, lost her parents at a young age, and the only one she can confide in is Elizabeth, her beloved horse inherited from her father. However, when a certain boy takes an interest in Elizabeth and starts coming to the club almost every day, Yu gradually begins to open up her heart to the boy.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.
