Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Three humorous but bitter stories turn into an existential drama in the life of the little people, who must take it all in with dignity and find some sense in the absurdity of it all. The acceptable way to present that is through the means of reality, severity, frankness, concise dialogue and documental simplicity.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].
A socially conscious film that draws attention to the plight of American military veterans.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.