It’s 3 a.m. Sergio and his wife Anna are deeply sleeping when the phone starts ringing. On the other side of the phone, an hesitant voice says: “There is a dead person down below”. Sergio is confused and decided to ring up his downstairs neighbor Enzo, who always bickers with his girlfriend Cinzia. But when Enzo come to Sergio’s house, he says that doesn’t even know about that call. Sergio and Enzo make hypothesis and assumptions and then decide to start an investigation through all the apartments in the building. Landing after landing, neighbor after neighbor, the investigation lead Sergio, Enzo and other neighbors to the last door. But sometimes things aren’t what they appear to be…
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
