
A priest in a small village is put to the test when a local homeless boy steals money from the church. Believing the Lord allowed him to take whatever he wanted as the church is, after all, the house of the Lord, the young thief steals away, enjoying his strange sense of entitlement. The Priest, however, sees the thief for exactly what he is – a thief. And so he chases him away, telling him not to come back. The young thief, upset by this, begins a series of pranks against the Priest, confusing the holy man along the way. Eventually figuring out what is really going on, the Priest turns the tables on the young prankster and finally manages to get rid of the boy once and for all.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
This is not a story of oppression but a story of liberation.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Ester Shapiro who flees the only home she has ever known to start a new life in Berlin.