“Jingle Jangle: A Christmas Journey” is a Netflix Christmas Treat
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time

Having misused funds held in his trust by investing them with his friend, Henry Lowe, Robert Reardon appeals to his future son-in-law, James Calvin, a candidate for the position of district attorney, for help. When Calvin threatens to indict Lowe for fraud if he is elected, Reardon's anger becomes so great that the engagement between Calvin and Reardon's daughter Helen is broken, resulting in Reardon's suicide. After Lowe comes into possession of a check forged by Helen's brother Jack, he uses the document to force a marriage with Helen. Treated brutally by her husband, Helen seeks Calvin's aid, but Lowe frames Calvin, now the district attorney, in a compromising situation with his ex-fiancée. Calvin is about to resign when Helen traps her husband with some marked money, causing his suicide through disgrace. Thus freed, Helen and Calvin find happiness together.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
Four more classic horror films that are entertaining even if occasionally absurd.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?