The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

In a primary school in a tough, outlying area of Paris, where teachers burn out steadily, five young and relatively inexperienced teachers made a commitment to stay. Five years later, they describe their lives in this school and what they dream of building.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.