Trevor: The Musical About Finding One's Identity
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.

Director Saxilds believes that his son, Gunnar (played by Carlo Wieth), is a splendid young man who stays away from women and temptations, but Saxild is surprised one day when he finds his son in the company of women. Gunnar is then employed in his father's office, where he meets the young girl Tove (played by Clara Wieth). The two initially develop innocent feelings for each other, but one day Gunnar seeks out Tove while he is drunk. She rejects him and he ends up in a seedy pub, where he gets into a fight with other drunks and ends up in the police station. When his father hears about it, he slaps him. But Tove takes care of Gunnar, comforts him, and Gunnar applies for the rescue corps.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.