‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

The Pool Date is a film about a misunderstanding. It's also a film about sexuality, curiosity and acceptance - and how a strangely intimate connection can be made between two very different people, from two very different worlds - without either of them speaking a word. The story is inspired (in part) by the urban legend A Packet of Biscuits. Although, variations of the tale have been explored in the 1988 Dutch film Boeuf Bourgignon, the 1989 short The Lunch Date and the writing of Ian McEwan and Jeffrey Archer, The Pool Date puts on a new spin as it examines themes of cultural difference, personal space and, above all, sexual desire.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.