
A woman stands in the deep end of an empty and disused swimming pool. She wipes her face and stomach with her hands to clean away blood. She places her hands on the outstretched arm of a man who lifts her into the air and catches her where she falls. An eel swims, its gills flutter, opening and closing with the sound. The woman settle the eel in her arms and holds it against the body. When she swims she breathes out underwater.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
In Tall Girl, Jodi learns to stand tall and find confidence within.