The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

During the early Ming Dynasty, political unrest grips the empire. Amid the chaos, imperial forces escort Lady Mei out of Nanjing to avoid danger. As assassins pursue her, Lady Mei takes refuge in a village, where she and the villagers band together to defend their home from invaders. Their bravery leads to a fierce struggle for survival and resistance against external threats.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
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