From their iconic house and studio in London’s Brick Lane, Gilbert & George have been at the forefront of British art for over half a century. Their unmistakable art is stark, urban, poetic, profoundly romantic, brutally realistic, and wholly visionary. It has captivated mainstream audiences around the globe. By unpacking their long and literal walk through life – repeatedly likened to a Pilgrimage – substantially with their voices, and few other commentators, the film offers a rare, deep, and captivating insight into their personal philosophy.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
Wolverine carries Deadpool - literally and figuratively
