Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Aleksey Klimov, years after the war, cannot forget the girl Marusya, whom he met at the front as a young lieutenant. But then the war separated them. Many years later, having found Marusya, he comes to visit her. They realize that they still love each other. But they have families, and their happiness now can take place only at the cost of the misfortune of loved ones.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Director and writer, Miles Marti, brilliantly created a film that captures the story of a kid that learns a new reality all within the walls of her classroom. Tears Of Knowing lightly steps into the devastation of loss through a childhood lens, and presents a perspective that is not often acknowledged. Though grief and loss are important aspects, the film also showcases excellent portrayals of trust, innocence, and naivety.
A world of expansion awaits.