'Under Wraps 2': The 2022 Spooky Sequel
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.

Wealthy young Herbert Alden, a would-be detective, is practicing housebreaking with his valet, an ex-convict, when he meets George and Polly, two real thieves; they are discovered and, following a chase, they go to Herbert's city apartment. George arranges with one of them, Tony-the-Lizard, to rob the guests at a ball given by Herbert's father at his country home. Herbert discovers that Tony is Tracy Sutton, a social lion engaged to Herbert's sister Roberta; and believing Herbert to be a famous criminal, Tony seeks his advice.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
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Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.