
Wealthy young Herbert Alden, a would-be detective, is practicing housebreaking with his valet, an ex-convict, when he meets George and Polly, two real thieves; they are discovered and, following a chase, they go to Herbert's city apartment. George arranges with one of them, Tony-the-Lizard, to rob the guests at a ball given by Herbert's father at his country home. Herbert discovers that Tony is Tracy Sutton, a social lion engaged to Herbert's sister Roberta; and believing Herbert to be a famous criminal, Tony seeks his advice.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
The latest MonsterVerse film delivers everything it promised.