An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

Since self-made immigrant Nico Podaras's death, widow Elenie runs his lucrative garage, with an illegal side business, generously using the profits to keep control of their three sons' lives. Simpleton Dan is happy to sire the crucial heir without hesitation to keep unruly, immature wife Charlene in line, but goes to far, so she absconds pregnant. Firstborn John gave up his dream, fishery, to work in the garage. When he marries Kathryn, she starts questioning and resisting Elenie's matriarchal manipulation, but bares her a grandson. The conflict escalates, leaving John torn between loyalties.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Korean Dramas deserve your attention and not just the ones on Netflix.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.