'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

Earth to earth, water to water. The body weight of a newborn child is up to 85 percent water, but in adulthood, the ratio can be cut into half. In a way, people dry up as they grow older. In Claudia Tosi’s documentary, people drink water, watch the rain and wait for their death. The Perfect Circle depicts a man and a woman, Ivano and Meris, who spend their final days at a hospice in the hills of Reggio Emilia, Northern Italy. Their illnesses are in the terminal stage and they know that death is only a matter of time. But the ever-nearing end may fleetingly be forgotten, like when they close their eyes and get lost in the music – until the bodies being carried out next door once again remind them of the inevitable. Death also becomes a part of life for the patients’ loved ones, who want to spend the last available moments with the soon to be departed.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.