The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

For most men in Egypt, if a girl wears tight or skin-revealing clothes, she makes herself desirable and deserves to be stared at. Not all the blame can be put on the men as their own mothers often share the same belief. Two students from the American University of Cairo document the ordeal women face simply walking down the streets, even in broad daylight. Filled with interviews and social experiments, ‘The People's Girls’ highlights how Egypt is getting more regressive by the day with hardly any measures taken to keep its women safe.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.