Joanelle Romero Discusses Native Indigenous Representation
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.

Narrated excerpts from Chen Shi-Zheng’s acclaimed stage production of Tang Xianzu’s The Peony Pavilion, filmed in Paris after its Lincoln Center presentation. This two-hour document condenses the epic kunqu love story of Du Liniang and Liu Mengmei through opera, dance, acrobatics, puppetry, martial arts and Robert Powell’s narration, preserving the atmosphere of a much longer theatrical event.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.