Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Past-Master farmer poster

The Past-Master farmer 

The Bash Master has a pig farm, which employs four keepers - the former buyer Raffaello, hiding from the authorities, the alcoholic poet Ivan, the beautiful gypsy Tsetsa with her husband. Through bribes, scams... and blackmail, the bash master manages to get a permit for the pig farm, which is located next to a kindergarten in a newly built complex. He drives pigs around in his Mercedes, invites himself to buy books he'll never read, puts his money into unnecessary furniture, smokes only Kent, and that's just the beginning...
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The Bash Master has a pig farm, which employs four keepers - the former buyer Raffaello, hiding from the authorities, the alcoholic poet Ivan, the beautiful gypsy Tsetsa with her husband. Through bribes, scams... and blackmail, the bash master manages to get a permit for the pig farm, which is located next to a kindergarten in a newly built complex. He drives pigs around in his Mercedes, invites himself to buy books he'll never read, puts his money into unnecessary furniture, smokes only Kent, and that's just the beginning...

Rating:
Genre:Comedy
Directed By:
Written By:
In Theaters:
Box Office:

Runtime:75 minutes
Studio:Българска Телевизия

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik