Taylor Mead personified Beatnik in Ron Rice’s classic The Flower Thief in 1960 and has since appeared in scores of films. Fifty-one years later, The Party in Taylor Mead’s Kitchen finds Taylor still living the life of the bohemian, devoted to poetry, painting, partying, acting, homo-eroticism, gossip, and indifference to bourgeois notions of hygiene. The Party in Taylor Mead’s Kitchen offers, in stark and humorous relief, the contrasting romantic beauty and squalid dereliction of la vie boheme.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
