Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

The ruler of the country of Dino-Danom, King Tobias (Zoltán Greguss), announces a pancake-making competition for the girls of the area. He plans to give his son to the one who bakes the best pancakes. As is usually the case in fairy tales, all the enterprising girls fail. Not so with Kökényszemű Katica (Annamária Detre), who eventually wins the competition, but she doesn't want the prince... Meanwhile, Derelye (Flórián Kaló), the evil cook who destroys countries one after another with his gang, is currently robbing the pantry of the country of Dino-Danom, but Prince Elias (Lajos Balázsovits) is determined to put an end to the wastefulness and thievery. He is aided by Csöröge, the loyal fool, and the pancake-making skills of Kökényszemű Katica are of great help in the fight.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.