Danae, a young woman seeking human contact through a dating app, accepts the invitation of Akis, an older man, for their first date at his home. Akis is a painter and his art revolves around the female form. The evening unfolds calmly and charmingly; the two eat, talk, dance and indulge in a sense of intimacy that seems to gradually bring them closer. But behind the apparent peace of the house, something dark lurks. When Danae accidentally opens the wrong door, she is confronted with a terrifying image that turns everything upside down. Panicked, she tries to escape, while the night turns into a nightmare where the boundaries between desire, obsession and art begin to dissolve.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Overall this movie was an easy watch, but by no means a worthwhile watch.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
Dead to Me Season 2 pulls together elements of comedy, drama, romance, and thriller to craft this truly gripping series.
