Twin Peaks: Why LGBTQ Ally Depiction is Crucial
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.

Eliú, a country boy, is incarcerated́ in an experimental minors' centre in the heart of the Colombian tropical forest, for a crime he committed with his friend El Mono. Every day, the teenagers perform strenuous manual labour and intense group therapy. One day, El Mono is transferred to the same centre and brings with him a past that Eliú is trying to get away from.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Miley Cyrus makes a revival in this Disney+ documentary on her recent album Endless Summer Vacation.