“Supergirl” Is Like, Fine, Whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

Montana sheep farmer Rebecca Yoder offers sanctuary to an on-the-lam outlaw, Johnny Gault, who is suffering from a gunshot wound. Yoder is a recent widow, and her decision to help the outsider doesn't sit well with her Quaker community. As a romance brews between her and Gault, it puts in jeopardy her standing among her devout neighbors. But when an evil rancher makes a play for the community's land, Gault's sharpshooting skills might prove his worth after all.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.